• Вестник Саратовской консерватории. Вопросы искусствознания

    

  Специализированный журнал «Вестник Саратовской консерватории. Вопросы искусствознания» является академическим изданием, в котором освещаются научные достижения в области искусствознания. Издаётся с 2018 г. Периодичность — 4 раза в год.

  Все статьи, поступающие в редакцию журнала, подлежат обязательному рецензированию.

  Рукописи авторам не возвращаются.

  ISSN 2618-9461

  Журнал зарегистрирован в Федеральной  службе по надзору в сфере связи, информационных технологий и массовых коммуникаций (Роскомнадзор).

  Свидетельство о регистрации ПИ № ФС77-71010 от 07 сентября 2017 г.

  Учредитель и издатель: Федеральное государственное бюджетное образовательное учреждение высшего образования «Саратовская государственная консерватория имени Л. В. Собинова».

  
  

  Тематика издания

  Журнал публикует научные работы по научной специальности 17.00.00 «Искусствоведение».

  В журнале публикуются статьи по вопросам теории и истории искусства, эстетики и философии искусства, музыкального, театрального, хореографического, изобразительного и литературного искусства, традиционных культур, педагогики и психологии в сфере искусства, информационных технологий в сфере искусства. Особое место занимают материалы, освещающие традиции Саратовской консерватории, включая историю, композиторские, исполнительские и научные школы, традиции в системе образования, работу диссертационного совета и т. п. Также в журнале размещаются рецензии на новые научные издания Саратовской консерватории, тематические обзоры, интервью, архивные материалы.

  Журнал адресован специалистам в области искусствознания, преподавателям и студентам учебных заведений в области культуры и искусства, а также всем тем, кто интересуется вопросами художественного искусства.

  Тематические направления издания:

  – вопросы истории и теории музыкального искусства;

  – вопросы истории, теории, практики традиционных и мировых музыкальных культур;

  – вопросы истории, теории и методологии музыкального исполнительства;

  – вопросы истории, теории и практики театрального искусства;

  – вопросы истории, теории и практики хореографического искусства;

  – вопросы истории, теории и практики изобразительного искусства;

  – вопросы философии, эстетики и менеджмента музыкального искусства;

  – вопросы музыкальной педагогики и психологии музыкального творчества;

  – история и современность Саратовской консерватории: традиции, школы, имена;

  – вопросы современных достижений в области информационных технологий музыкального искусства и музыкального образования.

  
  

Artamonova Elena Anatolyevna, PhD (Philosophy), Deputy Director of the Research Center for Slavic Culture at the University of Central Lancashire (Preston, UK)

Vorobyov Igor Stanislavovich, Dr. Sci. (Arts), Professor at the Music Theory Department of the Saint Petersburg State Conservatory named after N. A. Rimsky-Korsakov (Russia)

Golubovich Maria Georgievna, PhD (History), Researcher at the Institute of Musicology of the Serbian Academy of Sciences and Arts (SANI), (Belgrade, Serbia)

Demchenko Aleksandr Ivanovich, Dr. Sci. (Arts), Chief Researcher at the Center for Integrated Art Research, Professor Department of the Saratov State Conservatoire named after L. V. Sobinov (Russia)

Dolinskaya Yelena Borisovna, Dr. Sci. (Arts), Professor at the Department of Russian Music History of the Moscow State Tchaikovsky Conservatory (Russia)

Kazin Alexander Leonidovich, Dr. Sci. (Philosophy), Professor, Scientific Director of the Russian Institute of Art History (Russia)

Kovalenko George Fedorovich, Dr. Sci. (Arts), Head of the Department of the XX century Russian Art at the Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Chief Researcher of the Central European Art Sector of the State Institute for Art Studies (Russia)

Kotovich Tatyana Viktorovna, Dr. Sci. (Arts), Professor, Head of the Fine Arts Department of the Vitebsk State University named after P. M. Masherov (Belarus)

Savvina Lyudmila Vladimirovna, Dr. Sci. (Arts), Professor, Head of the Theory and History of Music Department of the Astrakhan State Conservatory (Russia)

Tsaregradskaya Tatyana Vladimirovna, Dr. Sci. (Arts), Professor, Head of Department of international cooperation of the Gnesin Russian Academy of Music (Russia)

Zucker Anatoly Moiseevich, Dr. Sci. (Arts), Professor, Scientific and Creative Director of the Department of Music History on the Rostov State Rachmaninov Conservatoire (Russia)

Yaylenko Evgeny Valerievich, Dr. Sci. (Arts), Professor at the D. Amgalan Academy of Fine Arts of the Mongolian National University of Arts and Culture (Ulaanbaatar, Mongolia)

Publishing company of the «Journal of Saratov Conservatoire. Issues of Arts» is Federal State Budget Educational Institution of Higher Education «Saratov State Conservatoire named after L. V. Sobinov».

Mailing Address: 410012, Saratov, 1, Peter Stolypin Av.

Telephone: (845–2) 39–00–29 ext 103.

Е-mail: sgk@sarcons.ru.

Mailing Address: 410012, Saratov, 1, Peter Stolypin Av.,

Editorial Office of the «Journal of Saratov Conservatoire. Issues of Arts».

Telephone: (845–2) 39–00–29 ext 165.

Е-mail: vestnik.sgk@mail.ru.

Editor in Chief of the «Journal of Saratov Conservatoire. Issues of Arts» is Sergey Pavlovich Polozov, Dr. Sci. (Arts), Professor at the Department of Music Theory and Composition of Saratov State Conservatoire named after L. V. Sobinov, member of the Saratov Organization of the Union of Composers of Russia.

S. P. Polozov was born on April 7, 1963 in Novokuznetsk, Kemerovo region. In 1989 he graduated from the Music Theory and Composition Department of the Novosibirsk State Conservatory named after M. I. Glinka with a degree in Composition (class of the Honored Worker of Arts, Professor A. F. Murov). After graduating from the conservatory, he worked at the Prokopievsk Music College, and then, since 1992, at the Novokuznetsk Music College. He taught composition, fundamentals of musical creativity (author's program), music informatics (author's program), instrumentation, analysis of musical works, polyphony. In addition, in the Novokuznetsk State Pedagogical Institute he taught a special course «Computer and music» (author's program).

Since 1997 S.P. Polozov has been working at the Music Theory and Composition Department of the Saratov State Conservatory named after L. V. Sobinov. In 2000 he defended his PhD thesis «Teaching computer technologies in music education» (specialty 17.00.02 — Musical Art). In 2002 he was appointed Associate Professor, and in 2008 — Professor of the Music Theory and Composition Department. In 2015 he defended his Doctoral dissertation «Information approach in the study of musical art» (specialty 17.00.09 — Theory and History of Art).

S. P. Polozov is the author of more than 129 scientific works (including 2 monographs) on music theory, music pedagogy, music informatics, and the history of the Saratov old believers. He is a scientific supervisor of 1 PhD and 1 Doctoral dissertations. He is the author of more than 85 musical compositions in various genres (more than 12 of them are published).

Since 2017 S. P. Polozov has been Editor in Chief of the «Journal of Saratov Conservatoire. Issues of Arts».

The «Journal of Saratov Conservatoire. Issues of Arts» accepts for publication original scientific articles on art history (5.10.1, 5.10.3) characterized by novelty and significance of the research.

Main Sections:

• Theory and History of Art
• Aesthetics and Philosophy of Art
• Musical Art
• Theatre Art
• Visual Art
• Traditional Cultures
• Pedagogy and Psychology of Art
• Traditions of Saratov Conservatoire

Codes of Scientific Specialties:

• 5.10.1. Theory and History of Culture, Art
• 5.10.3. Types of Art (Musical Art)

1. Conditions for accepting materials for publication.

1.1. Materials provided for publication in «The Journal of the Saratov Conservatoire. Issues of Arts» are accepted via e-mail vestnik.sgk@mail.ru. One email contains an application for only one publication. The application includes the text of the article and information about the author(s) provided in separate files (formats .doc, .docx). Musical examples and illustrations (if available), besides being placed in the text of the article, are sent in separate image files (formats .jpg, .tif). The name of each file included in the application should begin with the author's surname(s) in Cyrillic or Latin.

1.2. Submitting material for publication automatically implies the author’s consent for manuscript reviewing, editing, publication and distribution of articles in electronic or printed form, the transfer of personal data (name, surname, academic degree, academic title, position, place of work, office address, e-mail address) by the editor. The authors guarantee that the submitted manuscripts are original works, their publication does not violate the rights and legitimate interests of third parties, and the materials do not contain information the access to which is restricted or prohibited in accordance with the current legislation of the Russian Federation.

1.3. The authors retain all the rights of the manuscript’s owners — the right of authorship for the work and other personal non-property rights established by law. Authors are fully responsible for the content of their articles, as well as for the fact of their publication. The editorial board may not share the authors’ opinions on certain scientific issues and is not responsible for the inaccuracy of published data. The editorial board does not bear any responsibility to the authors or third parties and organizations for possible damage caused by the publication of the article.

1.4. The editorial board accepts only original, previously never published (neither in print nor in electronic form) scientific articles, the subject of which corresponds to the scientific specialties 5.10.1. Theory and History of Culture, Art and 5.10.3. Types of Art (Musical Art). In case of plagiarism or publication of the manuscript in other sources, the article is withdrawn from publication at any stage of processing.

1.5. The manuscript can be withdrawn from publication by the author(s) at any stage of processing up to the date of signing the issue to the printing.

1.6. At all stages of processing the manuscript the authors communicate with the editor via e-mail.

1.7. Articles are submitted by the authors to the editorial board free of charge. There is no fee for publishing articles, and no royalties are paid.

1.8. Materials sent to the editorial office are not returned.

1.9. Materials sent to the editorial office are registered and submitted for preliminary consideration.

2. Preliminary consideration of materials.

2.1. Preliminary consideration is carried out to determine that the manuscripts submitted for publication meet the general requirements the journal.

2.2. The level of originality of all manuscripts submitted to the editorial board is checked by system «Antiplagiat». If a high level of borrowing is detected, the material is rejected. The absolute originality of the article text should be not less than 80 %.

2.3. The manuscript may be not accepted for publication before reviewing in case its subject does not correspond the specialization of the journal, has insufficient or exceeded size, disregards the rules of executing papers, including information about the author, abstract, keywords and the references.

2.4. The preliminary review period is up to 5 days.

2.5. The editors inform the author(s) on the results of a preliminary examination. The editorial board can point to the mistakes in content and design of the manuscript, which must be eliminated before submitting the text for review. The corrected text is again sent by the author(s) to the editorial office for preliminary review.

2.6. Materials approved during preliminary review are sent for review.

3. The procedure for reviewing scientific articles.

3.1. A review of all submitted materials is aimed at expert evaluation intended to confirm their meeting the accepted standards of the scientific community, to analyze their advantages and disadvantages. All reviewers are qualified specialists and have publications on the subject of the reviewed article within the last 3 years. Reviews are stored in the editorial office for 5 years.

3.2. Each pre-reviewed article, after determining its thematic profile, is sent to a reviewer who is a major specialist in the corresponding scientific field. The reviewers are members of the editorial board of the journal, scientists and specialists of the Saratov Conservatoire and other state educational institutions of higher education, as well as scientists and specialists of other state scientific and creative institutions (museums, theaters) who are qualified experts on the theme of the article.

3.3. Review is carried out anonymously for both reviewers and authors: the reviewers do not know the authors, the authors do not know the reviewers.

3.4. The reviewer studies the text of the article and writes a review, which evaluates the compliance of the article title with its content; relevance of topics; style of presentation; consistency and clarity; correctness of the applied theoretical principles, terminology and quotations; the scientific novelty and significance of the research; validity and reliability of the results and conclusions of the study. The review reflects the positive as well as negative aspects of the article, the latter formulated in the form of specific comments and suggestions for improving the paper. At the end of the review, the reviewer makes a conclusion about the expediency or inexpediency of publishing the article in its current form.

3.5. The period of reviewing is up to 15 days from the date of the manuscript’s submission to the reviewer.

3.6. The editorial board sends the authors copies of reviews without specifying information about the reviewer or a reasoned refusal. The authors are recommended to consider comments, recommendations and suggestions of the reviewer while correcting and finalizing a new version of the article.

3.7. If the text of the article requires significant changes, after the author's revision the updated version is sent to the same reviewer for re-reviewing.

3.8. If the author(s) disagree with the negative conclusion of the reviewer, the article is transferred to another reviewer. The second reviewer is not informed that the article received a negative review from the first reviewer. In case of a negative result of repeated review, the article is withdrawn from consideration, which is reported to the author(s). In exceptional cases, if a negative review is received from two reviewers, the article may be published by the decision of the editorial board. In conflict situations, the final decision is made by the editor-in-chief.

3.9. The editorial board sends copies of reviews to the Ministry of Education and Science of the Russian Federation if requested.

3.10. Articles that have received a positive decision are submitted for preparation for publication.

4. Procedure of publishing scientific articles.

4.1. Preparation for publication consists of scientific and literary editing, which does not lead to changes in the meaning and distortion of the content, as well as the layout of the article.

4.2. After editing, the original layout of the article is sent to the author(s) for review and approval.

4.3. If the author(s) does not respond within 10 days, the article is not published and remains in the editorial office until a response is received.

4.4. After receiving the author's consent for publication and making the necessary edits at the author(s)’s request the article is included in the list of articles prepared for publication.

4.5. The editorial board does not assume any obligations on the terms of publication of articles. The publication plan is formed by the editor - in-chief in the order of general priority, determined on the basis of the date of receipt of materials to the editor, the content of the corresponding section of the journal, the thematic focus of the issue and other circumstances. An extraordinary publication of an article is possible if it is most relevant at the moment.

4.6. The final decision on publication of articles and approval of journal contents is taken at the staff meeting of the editorial board. In conflict situations, the decision is made by the editor-in-chief.

4.7. The editorial board notifies the authors about the publication of the journal within 5 days from the date of receipt of the circulation.

4.8. After publication, the author's original article, the text with edits and proofreading are stored in the archive of the editorial office for at least a year.

4.9. All articles published in the journal are placed in the scientometric database of the RSCI.

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